Gatsby Garden Party 2017!

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A few weeks ago, I attended the annual Gatsby Garden Party at Spadina House (Museum).

It was my fourth year attending!  Below is my gentleman friend in front of the historic home.

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Spadina Museum is a historic house and grounds in the city of Toronto. In my opinion, it is Toronto’s best historic site.

To read more about the history of the Spadina (Austin family) home and previous Gatsby parties, please visit my previous posts on the event here and here.

On to this year’s event!

While it was a cloudy day,

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that did not keep the garden party-goers away.

Here are a few finely-dressed ladies watching the costume contest:

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Below are some of my favourite 1920s looks from the contest.

My friend Missy’s opium den girl look is sublime!

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My gentleman friend’s whiskey-smuggler look is the bee’s knees!

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Other honourable mentions:

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Here are the costume contest winners!

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Those two adorable dogs in the front row were even dressed up 🙂

This little girl told me that she was “a black and white photograph.”

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I also entered the contest, to no avail (however, I did win two years ago!)

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The kimono is an antique. I think it is actually from the 1920s or earlier.

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Here are my fabulous friends Sapphyre and Missy showing off their outfits:

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Other than the costume contest, activities included strolling the grounds and exploring the Austin home.

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One could also enjoy the gardens, vineyard, and orchard.

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Observing or participating in a Charleston dance lesson was a popular choice,

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as was listening to one of the many 1920s style bands.

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Partygoers could also enjoy music being played on antique gramophones.

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I can’t wait to relive the 1920s again for a day next year!

Stay tuned!

 

 

 

Harbourfront Centre is awesome! Part One: ART!

Harbourfront Centre is a 10 acre site on the Lake Ontario waterfront that features art galleries, theatres, public squares, a pond (it becomes an ice skating rink in the winter), outdoor stages for concerts, artists’ workshops, and outdoor spaces where numerous festivals are held.

What makes it so awesome and unique is that most of the events and activities at Harbourfront Centre are completely free.  I am a huge believer that arts and culture programming should be accessible to everyone, so I am a big fan of this place.

I recently visited Harbourfront to take in some of the art at its three main galleries. I visited “The Power Plant” first.

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The exhibition they have on now is called “The Unfinished Conversation: Encoding/Decoding” and features many different artists.

I would describe the theme of the exhibition as:

a reflection on how our perception (both individually and as a society) of current events, which then become history, changes over time and therefore also changes our perception of others and ourselves.

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The work that I found the most powerful and affecting was called “The Unfinished Conversation” by John Akomfrah.  The piece consists of three separate screens, each playing a different video.  The artist has managed to put the three together beautifully – almost seamlessly, capturing and holding one’s attention…

… while allowing the viewer to somehow watch all three at once…

…while still understanding the meaning of the piece.

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The official write-up of the installation describes it as “weav[ing] issues of cultural identity, using… archive footage of [cultural theorist] Stuart Hall, drawing in references to William Blake, Charles Dickens, Virginia Woolfe, …jazz and gospel, set alongside news footage from the 1960s and 1970s.”

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You don’t have to know Stuart Hall’s work to understand this piece. It is at once beautiful, unsettling, and brilliant. I would go so far as to say that this is one of the best pieces of contemporary artwork I have seen in many years.

That exhibit was a tough act to follow, but the “REWILD” exhibit at the Architecture Gallery (which is located upstairs in the Bill Boyle Artport – right beside the Power Plant) held its own.

This piece was called “Reclamation in Progress.” Artist Fionn Byrne has invited us to wonder what will become of the Alberta tar sands once the extraction of oil is over.  The companies are required to complete “reclamation” of the area, which means redesigning it somehow. Who will decide how this will be done, and what will they decide?

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The third collection I visited was on the main floor gallery and the surrounding hallway area in the Bill Boyle Artport. The entire exhibit is called “Deep Woods.”

“Stopping by Woods” is the exhibit inside the main gallery featuring several artists.

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I would describe the theme as:

taking the time to observe and investigate our natural environment is an important activity which allows us to better understand our world.

Here is the official description:

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Here is a section of the gallery’s interior,

 

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and a closer image of artist Janet MacPherson’s work.

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She describes her pieces as follows:

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This is an interesting piece in the hallway area (adjacent to the main gallery) by artist Darren Rigo:

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In describing the inspiration for his work, he expresses sentiments that I think most of us can identify with.

 

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I found all the exhibitions to be interesting, thought-provoking, and relevant.  I don’t think a person has to have a knowledge of art trends or art history to appreciate and to “get something out of” these pieces. It is ACCESSIBLE art – something I really believe in.  And, as I mentioned before, it is free (i.e. even MORE accessible) to go to any or all of the art galleries in the Harbourfront Centre.

For more information and operating hours, visit

http://www.harbourfrontcentre.com/whoweare/visitors/index.cfm

Stay tuned!